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The lack of controls in no way compromises the functioning of the unit. These are automatically controlled by the nature of the T4 cell. The LA-3A does not have user controls for attack and release times. The commonly performed "LA-3A gain mod" is added as an additional switch for maximum studio versatility. This includes the same simple control set and the T4 electro-optical attenuator, which is the source of the unit's program dependent compression.
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This model is perhaps less celebrated than the former two. The reissue meticulously retains all the qualities of the original. SINCE THE RATHER SPLENDID 1176 and LA-2A reissues, UA received increasing requests for an LA-3A. The LA-3A incorporated components and design concepts from the Putnam-designed 1176LN Limiting Amplifier and was immediately embraced as a studio workhorse and is still widely used today. The original LA-3A made its debut at the 1969 NY AES show and marked a departure from the tube design of the LA-2A. The single channel unit is housed in a 2U half-rack chassis and is loved for its unique compression characteristics and sonic signature. Enjoy.The LA-3A Leveling Amplifier from Universal Audio is a faithful reproduction of the original classic solid-state compressor. Like all our other emulations, we used the schematics and actual hardware to create the most accurate LA-3A plug-in out there.įor the video, I use the LA-3A on various drum tracks. In the spring of 2007, Universal Audio released the LA-3A Powered Plug-In, giving our users the definitive sound of the LA-3A.
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Many people also like the way the LA-3A brings out the midrange frequencies, and therefore it commonly gets used on electric guitar. Unit works great and and is in excellent cosmetic condition. Another example is close miking on snares, kicks, and toms - as long as the style of playing is not super aggressive (but hey, it still might get you the sound you want). UNIVERSAL AUDIO LA-3AReissueCompressor/Limiter Up for auction is one Universal Audio LA-3A. This opens up possibilities for the LA-3A that the LA-2A was not as well-suited to: for example, drums, especially overheads and room mics. For the last part of the attack (or for smaller transients), once the sidechain voltage has decreased, the attack time will be about the same as the LA-2A. Thanks to this design, with the first part of the attack on a large transient, the EL panel will be brighter in the LA-3A, making the first part of the attack faster. So, there is an “autotransformer” in the circuit to boost the voltage going into the ELOP panel. The LA-3A, in contrast, uses solid state, which can’t generate enough voltage to drive the EL panel. This is because the LA-2A uses a tube to drive the EL panel directly, and the circuit has a certain maximum voltage level. It also retains the 2RU half-rack design, and comes complete with a single-unit rack. For small transients, the attack will be about the same for the LA-2A and LA-3A whereas for large transients, the LA-3A will be faster. This reissue Universal Audio LA-3A Audio Leveler meticulously retains all the internal and external qualities of the original: the same simple control set and the T4 electro-optical attenuator-the source of the units program-dependent compression. Sound-wise, the LA-3A is quite different from the LA-2A, even though it uses the same T4 ELOP as the LA-2A. Essentially, the LA-3A is a solid-state version of the LA-2A it retains the same simple control set (Gain, Peak Reduction, Comp/Limit Switch) and, of course, the all-important T4 electro-optical panel module (ELOP for short)-the source of the great program-dependent compression characteristics of the LA-2A.
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Brad Plunkett designed the LA-3A and also played a major role in the development of the 1176. The LA-3A compressor made its debut at the 1969 New York AES show. This month we are taking a up-close-and-personal look at the UAD LA-3A Classic Audio Leveler Plug-In, including when and where you might use it versus its electro-optical kin, the legendary LA-2A.
Universal audio la 3a pro#
UAD LA-3A Powered Plug-In & Universal Audio LA-3A Audio Leveler hardware re-issue At Musikmesse in Frankfurt, Germany this week, Universal Audio announced the LA-3A Classic Audio Leveler an exacting clone of the classic solid-state opto-compressor first launched in 1969and the TDM Quad Pak, a collection of Universal Audio’s premium compressor and equalizer plug-ins for Digidesign TDM Pro Tools systems. Starlight Echo Station Starlight Echo StationĪstra Modulation Machine Astra Modulation MachineĤ-710d Four-Channel Tone-Blending Mic Preamp w/ Dynamics 4-710d Four-Channel Tone-Blending Mic Preamp w/ Dynamics Thunderbolt 2 Option Card Thunderbolt 2 Option Card